New York City's Hotel Chelsea, a swanky 'beatnik' spot, is trying to evict one of its longtime residents, artist Gerald Decock. He argues that he should have gotten a rent-controlled rate...and anyways, the hotel bought a bunch of his paintings. How could they evict someone whose paintings hang on their walls?
(I -- and you -- already know the answer to the second question.)
What caught my eye about this unusual subject wasn't Decock -- it was the studio he lived in. Every wall is jammed with color and movement. Turns out that other well-known people lived there before he did... though I suspect Decock has added to it.
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